Beginners’ tips and tricks to improve travel photography – Part One

L-R; Leading lines: Look for lines that draw the viewer’s eye into the picture - Framing makes an image more interesting and shows more than just the end view - Soft, gentle s-curves create a sense of movement and discovery - The glorious golden hour – early morning and late afternoon provides the softest light for photographers - Layers add depth, context and interest; something in the foreground, mid-ground and background © Serena Kirby

Travel photography isn’t about the camera you carry – it’s about how you see the world when you arrive. Whether you’re holding a smartphone or a digital camera, the most powerful tool you bring with you is your attention. For beginners, learning to slow down, observe and compose thoughtfully is the first step toward images that feel meaningful rather than merely record-keeping.

Think Beyond the Postcard

Many first-time travel photographers point their camera straight at a landmark, take a quick shot, and move on. While there’s nothing wrong with a classic postcard image, the most engaging photographs often come from what surrounds the obvious subject. Look for foreground elements, or natural frames such as doorways, branches, or windows that add depth and context to the scene. Also look for leading lines; lines that direct your eye to a key point in the image or even look for s-curves in the form of pathways or roads.

A simple composition trick beginners can use is the rule of thirds. Imagine your image divided into nine equal sections by two horizontal and two vertical lines. Placing your main subject slightly off-centre – rather than dead centre – often creates a more balanced and visually interesting image. Most smartphones even have a grid overlay you can switch on to help guide you.

Look for layers to create depth

Flat images are a common frustration for new photographers. One way to avoid this is by thinking in layers: foreground, middle ground, and background. A street scene might include a café table in the foreground, people walking mid-frame, and historic buildings in the background. If you include multiple layers in your image, it helps place the viewer inside the scene, making the image feel immersive rather than distant.

This approach works just as well for landscapes. Rocks, plants, or shadows in the foreground helps to give scale and draws the viewer’s eye into the frame.

Let the light do the work.

Light is everything in photography, and travel photography is no exception. Avoid shooting at midday when the sun is high and harsh, as it leads to strong shadows and washed-out colours. Whenever possible, aim to photograph early in the morning or late in the afternoon, when the light is softer and warmer. This time is often called the golden hour and it can instantly elevate even simple scenes.

If you’re shooting in bright conditions, look for open shade – such as the shadow cast by a building – where light is softer and more flattering. Smartphones in particular handle these conditions better than extreme contrast.

Watch the direction of light.

Notice where the light is coming from. Side lighting can add texture to buildings and landscapes, while backlighting can create silhouettes or glowing edges around your subject. Try moving your position rather than changing your settings – stepping left or right can dramatically change how light shapes your image.

For beginners, this shift in thinking, moving yourself instead of the camera controls, is a game changer.

Slow down and observe

Great travel photos rarely come from rushing. Spend time in one location and watch how people move through it, how shadows shift and how moments unfold. Often the best image happens after you’ve already taken the obvious shot so take time and shoot some additional shots. 

Remember that travel photography isn’t about capturing everything you see. It’s about choosing what matters. When you begin to see with intention, even everyday scenes can become powerful visual stories.

Part two next month: people, perspective and story.